Sanya Khomenko Photography
The ocean refuses no river, no river
The open heart refuses no part of me, no part of you.
I am one with all that is, one with all;
All that is is one with me, one with all.
Rumi
The ocean refuses no river, no river
The open heart refuses no part of me, no part of you.
I am one with all that is, one with all;
All that is is one with me, one with all.
Rumi
Wishing You Were Somehow Here Again Lyrics
You were once my one companion
Wishing I could hear your voice again
Too many years fighting back tears
From Phantom Of The Opera
Performed by Emmy Rossum
You were all that mattered
You were once a friend and father
Then my world was shattered
Wishing you were somehow here again
Wishing you were somehow near
Sometimes it seemed if I just dreamed
Somehow you would be here
Knowing that I never would
Dreaming of you won't help me to do
All that you dreamed I could
Passing bells and sculpted angels
Cold and monumental, seem for you the wrong companions
You were warm and gentle
Why can't the past just die?
Wishing you were somehow here again
Knowing we must say, "Goodbye"
Try to forgive, teach me to live
Give me the strength to try
No more memories, no more silent tears
No more gazing across the wasted years
Help me say, "Goodbye"
Help me say, "Goodbye
Asleep! O sleep a little while, white pearl!
ASLEEP! O sleep a little while, white pearl!
John Keats
And let me kneel, and let me pray to thee,
And let me call Heaven’s blessing on thine eyes,
And let me breathe into the happy air,
That doth enfold and touch thee all about,
Vows of my slavery, my giving up,
My sudden adoration, my great love!
When a condition or a problem becomes too great, humans have the protection of not thinking about it. But it goes inward and minces up with a lot of other things already there and what comes out is discontent and uneasiness, guilt and a compulsion to get something--anything--before it is all gone.
John Steinbeck, The Winter of Our Discontent
Few and precious are the words which
the lips of Wisdom utter:
To what shall their rarity be likened?
What prices shall count their worth?
Perfect, and much to be desired, and giving joy with riches,
No lovely thing on earth can picture their fair beauty.
They be chance pearls, flung among the rocks by the sullen waters of Oblivion.
MARTIN FARQUHAR TUPPER, Proverbial Philosophy
Beauty
NOT flesh alone am I, when I can be
Yea, not all mortal, not all death my mind,
So for this faith, when Thou my dust shalt bring
G. O. Warren
So swiftly caught in Beauty’s shimmering thread
Whose slender fibres, woven, held by me,
With their frail strength my following heart have led.
When, watching by lone twilight waters’ brim
I tremblingly decipher, as they wind,
Her deathless hieroglyphs, though strange and dim.
To dust, remember well, Great Alchemist,
Yearly to change my wintry earth to spring,
That I with Beauty still may keep my tryst.
Smiles
Smile a little, smile a little,
Ella Wheeler Wilcox
As you go along,
Not alone when life is pleasant,
But when things go wrong.
Care delights to see you frowning,
Loves to hear you sigh;
Turn a smiling face upon her,
Quick the dame will fly.
Smile a little, smile a little,
All along the road;
Every life must have its burden,
Every heart its load.
Why sit down in gloom and darkness,
With your grief to sup?
As you drink Fate's bitter tonic
Smile across the cup.
Smile upon the troubled pilgrims
Whom you pass and meet;
Frowns are thorns, and smiles are blossoms
Oft for weary feet.
Do not make the way seem harder
By a sullen face,
Smile a little, smile a little,
Brighten up the place.
Smile upon your undone labor;
Not for one who grieves
O'er his task, waits wealth or glory;
He who smiles achieves.
Though you meet with loss and sorrow
In the passing years,
Smile a little, smile a little,
Even through your tears.
The Disappointed
There are songs enough for the hero
Ella Wheeler Wilcox
Who dwells on the heights of fame;
I sing of the disappointed--
For those who have missed their aim.
I sing with a tearful cadence
For one who stands in the dark,
And knows that his last, best arrow
Has bounded back from the mark.
I sing for the breathless runner,
The eager, anxious soul,
Who falls with his strength exhausted.
Almost in sight of the goal;
For the hearts that break in silence,
With a sorrow all unknown,
For those who need companions,
Yet walk their ways alone.
There are songs enough for the lovers
Who share love's tender pain,
I sing for the one whose passion
Is given all in vain.
For those whose spirit comrades
Have missed them on their way,
I sing, with a heart o'erflowing,
This minor strain to-day.
And I know the Solar system
Must somewhere keep in space
A prize for that spent runner
Who barely lost the race.
For the plan would be imperfect
Unless it held some sphere
That paid for the toil and talent
And love that are wasted here.
Die Slowly
He who becomes the slave of habit,
Martha Medeiros
who follows the same routes every day,
who never changes pace,
who does not risk and change the color of his clothes,
who does not speak and does not experience,
dies slowly.
He or she who shuns passion,
who prefers black on white,
dotting ones i's rather than a bundle of emotions,
the kind that make your eyes glimmer,
that turn a yawn into a smile,
that make the heart pound in the face
of mistakes and feelings,
dies slowly.
He or she who does not turn things topsy-turvy,
who is unhappy at work,
who does not risk certainty for uncertainty,
to thus follow a dream,
those who do not forego sound advice
at least once in their lives,
die slowly.
He who does not travel, who does not read,
who does not listen to music,
who does not find grace in himself,
she who does not find grace in herself,
dies slowly.
He who slowly destroys his own self-esteem,
who does not allow himself to be helped,
who spends days on end complaining
about his own bad luck,
about the rain that never stops,
dies slowly.
He or she who abandons a project before starting it,
who fails to ask questions on subjects he doesn't know, he or she who doesn't reply when they are asked something they do know,
dies slowly.
Let's try and avoid death in small doses,
reminding oneself that being alive requires an effort
far greater than the simple fact of breathing.
Only a burning patience will lead
to the attainment of a splendid happiness.
Personne ne peut revenir en arrière, mais tout le monde peut aller de l'avant.Et demain, quand le soleil se lèvera, il suffira de se répéter :Je vais regarder cette journée comme si c'était la première de ma vie. Regarder les membres de ma famille avec surprise et émerveillement - joyeux de découvrir qu'ils sont à mes cotés, partageant en silence quelque chose qui s'appelle Amour, dont on parle beaucoup et que l'on comprend mal...
La plus destructrice de toutes les armes n’est pas la lance ou le canon – qui peuvent blesser le corps et détruire la muraille. La plus terrible est la parole – qui ruine une vie sans laisser de traces de sang, et dont les blessures ne cicatrisent jamais. Soyons donc maître de notre langue, pour ne pas être esclave de nos paroles. Même si elles sont utilisées contre nous, n’entrons pas dans un combat qui n’aura jamais de vainqueur.
Celui qui a un jour été blessé doit se demander : Cela vaut-il la peine de remplir mon coeur de haine et de traîner ce poids avec moi ? A ce moment-là, il recourt à l’une des qualités de l’Amour qui s’appelle Pardon. Il s’élève au-dessus des offenses proférées dans la chaleur de la bataille, que le temps se chargera bientôt d’effacer, comme le vent efface les pas dans les sables du désert.
How Much Music Can You Make?
Imagine this. A concert violinist is performing a difficult
piece in front of a large audience. Suddenly there is a loud snap that reverberates throughout the auditorium. The audience immediately knows that a string has broken and fully expects the concert to be suspended until another string, or instrument, is brought to the musician.
But instead, the violinist composes herself, closes her eyes and then signals the conductor to begin again. The orchestra resumes where they had left off and now the musician plays the music on three strings. In her mind she works out new fingering to compensate for the missing string. A work that few people can play well on four strings, the violinist with the broken string plays on three.
When she finishes, an awesome silence hangs in the room. And then as one, the crowd rises to their feet and cheers wildly. The violinist smiles and wipes perspiration from her brow. When silence returns to the great room, she explains why she continued to play in spite of a broken string. "You know," she says, still breathless, "sometimes it is the artist's task to find out how much music you can still make with what you have left.
We know what she means, don't we? Maybe we've lived most
of our lives and we have only a little time left.
Can we still make music?
Maybe disease has robbed us of our capacity to work.
There will come a time when we all experience loss. Like the violinist, will we find the courage to discover just how much music we can still make with what we have left? How much good we can still do? How much joy we can still share? For I'm convinced that the world, more than ever, needs the music only you can make.
And if it takes extra courage to make the music, many will applaud your effort. For some people have lost more than others, and these brave souls inspire the rest of us to greater heights.
Just how much music can you make with what you have left?
Steve Goodier
Can we still make music?
Perhaps a financial loss has left us impoverished.
Can we still make music?
Or maybe a meaningful relationship has ended and we feel alone in the world. Can we still make music?
Lines Written In Kensington Gardens
IN this lone, open glade I lie,
Matthew Arnold
Screen’d by deep boughs on either hand;
And at its end, to stay the eye,
Those black-crown’d, red-boled pine-trees stand!
Birds here make song, each bird has his,
Across the girdling city’s hum.
How green under the boughs it is!
How thick the tremulous sheep-cries come!
Sometimes a child will cross the glade
To take his nurse his broken toy;
Sometimes a thrush flit overhead
Deep in her unknown day’s employ.
Here at my feet what wonders pass,
What endless, active life is here!
What blowing daisies, fragrant grass!
An air-stirr’d forest, fresh and clear.
Scarce fresher is the mountain-sod
Where the tired angler lies, stretch’d out,
And, eased of basket and of rod,
Counts his day’s spoil, the spotted trout.
In the huge world, which roars hard by,
Be others happy if they can!
But in my helpless cradle I
Was breathed on by the rural Pan.
I, on men’s impious uproar hurl’d,
Think often, as I hear them rave,
That peace has left the upper world
And now keeps only in the grave.
Yet here is peace for ever new!
When I who watch them am away,
Still all things in this glade go through
The changes of their quiet day.
Then to their happy rest they pass!
The flowers upclose, the birds are fed,
The night comes down upon the grass,
The child sleeps warmly in his bed.
Calm soul of all things! make it mine
To feel, amid the city’s jar,
That there abides a peace of thine,
Man did not make, and cannot mar.
The will to neither strive nor cry,
The power to feel with others give!
Calm, calm me more! nor let me die
Before I have begun to live.
To any artist, worthy of the name, all in nature is beautiful, because his eyes, fearlessly accepting all exterior truth, read there, as in an open book, all the inner truth.
The poetry of the earth is never dead.
For I have learned to look on nature, not as in the hour of thoughtless youth, but hearing oftentimes the still, sad music of humanity.
Auguste Rodin
John Keats
William Wordsworth
We rarely confide in those who are better than we. Rather, we are more inclined to flee their society. Most often, on the other hand, we confess to those who are like us and who share our weaknesses. Hence we don’t want to improve ourselves or be bettered, for we should first have to be judged in default. We merely wish to be pitied and encouraged in the course we have chosen. In short, we should like, at the same time, to cease being guilty and yet not to make the effort of cleansing ourselves.
Albert Camus,The Fall
The First Day Of My Life
No one can go back, but everyone can go forward.
Paulo Coelho
From"MANUSCRIPT FOUND IN ACCRA"
And tomorrow, when the sun rises, all you have
to say to yourselves is:
I am going to think of this day as the first day
of my life.
I will look on the members of my family with surprise
and amazement,glad to discover that they are by my
side, silently sharing that little understood thing
called love.
I will pass a beggar, who will ask me for money.
I might give it to him or I might walk past thinking
that he will only spend it on drink, and as I do,
I will hear his insults and know that it is simply
his way of communicating with me.
I will pass someone trying to destroy a bridge.
I might try to stop him or I might realise that he
is doing it because he has no one waiting for him
on the other side and this is his way of trying to
fend off his own loneliness.
Instead of noting down things I’m unlikely to forget,
I will write a poem.
Even if I have never written one before and even if
I never do so again, I will at least know that I once
had the courage to put my feelings into words.
I will keep smiling, because it pleases me to know
that people think I am mad.
My smile is my way of saying: ‘You can destroy my
body, but not my soul.’
If it’s sunny tomorrow, I want to look at the sun
properly for the first time.
If it’s cloudy, I want to watch to see in which
direction the clouds are going.
I always think that I don’t have time or don’t pay
enough attention. Tomorrow, though, I will concentrate
on the direction taken by the clouds or on the sun’s
rays and the shadows they create.
Above my head exists a sky about which all humanity,
over thousands of years, has woven a series of reasonable
explanations.
Well, I will forget everything I learned about the stars
and they will be transformed once more into angels or
children or whatever I feel like believing at that moment.
For the first time, I will smile without feeling guilty,
because joy is not a sin.
For the first time, I will avoid anything that makes me
suffer, because suffering is not a virtue.
I am living this day as if it were my first and, while
it lasts, I will discover things that I did not even
know were there.
Even though I have walked past the same places countless
times before and said ‘Good morning’ to the same people,
tomorrow’s ‘Good morning’ will be different.
It will not be a mere polite formula, but a form of blessing.
And if I’m alone when the night falls, I will go over to
window, look up at the sky and feel certain that loneliness
is a lie, because the Universe is there to keep me company.
And then I will have lived each hour of my day as if it were
a constant surprise to me, to this ‘I’, who was not created
by my father or my mother or by school, but by everything
I have experienced up until now, and which I suddenly forgot
in order to discover it all anew.
And even if this is to be my last day on Earth, I will
enjoy it to the full, because I will live it with
the innocence of a child, as if I were doing everything
for the first time.